Free King’s High Justice Informative Essay

Free King’s High Justice Informative Essay King’s High Justice Frollo, the Kings High Justice asserts that he is willing to defend France from heresy that can be spread by potential integration of Gypsy and other foreigners into Paris. The civility of the High Justice is in question in regard to prejudice against various groups of people; thus, the High Justice represents the force of oppression whereby Frollo intimidates people by asserting to reach a judgment to hang any critic of the old order. The High Justice is pleased to thwart physical processes of cooperation by creating divisions aimed at protecting Paris while discriminating against foreigners. Racial and ethnic hatred is used to justify oppression because of ignorance, limited capability to activate collective consciousness. Frollo the High Justice represents the unfair justice within Paris in regard to giving people to the freedom of though. Frollo is determined to preserving the old system by using discriminative measures whereby he is willing to hang anyone who disobeys order; he means elimination or xenophobia based on perceived prejudice. Frollo demonstrates more authorized habit when he protests before the King identifying that if he allowed freedom of Gypsies to develop, Paris civilization would weaken because foreigners lacked probable cultural values to survive in the city. Therefore, Frollo manipulates the administration of the High Justice agency to attack and destroy specific perceived foreigners; I for my part will protect France from these printed books as I will protect her from witches, sorcerers and Gypsies, the foreign race that is overrunning all of Europe( The hunchback of Notre dame 1). Ethnic and racial discrimination themes play turns in the movie when the Guard is lashing a carava n member believed to be Gypsies and foreigners. The High Justices mandate is expressed through the hand and mind of the Guard who forces Gypsies and other foreigners to understand the new law requiring foreigners to obtain a permit. Only Frenchmen are allowed to enter into Paris while the supporters of foreigners must undergo a rigorous permit issuance exercise. The Guard complains about the presence of foreigners in Paris; however, the Gypsy Man who stereotypes the new hope insists that the Frenchmen had no right to restrict the arriving foreigners Foreigners! You came yesterday, we come today (The hunchback of Notre dame 1). The Gypsy Man finds the High Justices rationale for cruelty quite amusing that he shrugs off the Guards attempt to halt the caravan. Localized discrimination is symbolized by the hunchback; when a girl runs into the hunchback, she runs crying directly into the grandmother who immediately informs her to go home and lit a candle to eliminate the intent of meeting the social superstitious person. Fear of superstitious created taboos and practices that created more fear among the people disarming the adventurous human spirit. For instance if the hunchback crosses the path of anyone in Paris by accident, there was a possibility of suffering from emotional setbacks due to the anxiety created by the social stereotypical hatred against the hunchback. The hunchback is defined as a strong, bow-legged yet horrible like the Cyclops (Eliot 57). The King is tolerant and aware of the social transformation process that lauds the success of the free thought and reprimands Frollo, the High Justice for his biased opinion about new freedom of thought. The King admits that the world is round after citing Christopher Columbuss experience in the sea, while those opposing the King like the 1st Courtier remain dogmatically influenced by the old control knowledge that conform to the idea that the world is flat. Oppression is based on limiting capacity and understanding that ultimately creates unrest and violence out of confusion. Antagonism between religion and science believes are tested when interpreting the right shape of the world whereby the flat theory is compared to the science stance that the earth is spherical. The evidence is reflected on questioning the progress of the new thought whereby every man in France would become literate and even. When Frollo rejects to cover for Esmeralda just because she is of foreign race, the Kin g scolds Frollo. Ironically, when the King asks Frollo if the gypsy woman made his pulse beat faster; the warning foreshadowed Frollos action of forcing Esmeralda to love him and when Esmeralda refused Frollo labeled her a witch. Quasimodo who first fell in love with the Esmeralda throws Frollo down the cathedral out of jealousy and in order to save Esmeralda from the gallows. Esmeralda represents the downtrodden foreigners in Paris Though they sometimes have a feeling, wrong choices in life because of ignorance determines the foreigners fate. For instance, Esmeralda believed to be safe with the soldier who takes orders from another authority (Eliot 43). Therefore, the execution of Esmeralda coincides with the elimination of the old thought influenced by ignorance about individual situations particularly concerning perceptions of beauty and frightful. The Archbishop is equally receptive in understanding the true social justice though quite dogmatic about the effects of oppression. At the Sanctuary, the Archbishop informs Esmeralda that her condition as a Gypsy should not disappoint her from achieving her objectives since everything is willed by the generosity of one giver. On the contrary, Frollo confronts Esmeralda as the Cathedral when praying making fun of her as a heathen not fit to pray in the cathedral (Eliot 14). Frollos discriminative approach is based on the notion that the famed dancer was shameless for awakening everymans sinful desires to look at the Gypsy Esmeralda. Gringoire helps Esmeralda escape from Frollos and Quasimodos firm grip. The poet is struggling for recognition and when he finds himself in the court of miracles he is condemned to death by hanging. Oppression is presented again when Gringoire marries Esmeralda only to be disappointed since she is in love with Phoebus. However, Phoebus is stabbed by Frollo who implicates Esmeralda. Frollo is determined to hang Esmeralda for refusing to accept him, but Quasimodo jumps from roof snatching Esmeralda to the cathedral where she is protected while Quasimodo hurled Frollo down from bell tower.

Quotes from Arthur Rimbauds Surrealist Writing

Quotes from Arthur Rimbaud's Surrealist Writing Jean Nicolas Arthur Rimbaud (1854 -1891) was a French writer and poet, best known for his surrealist writings, including Le Bateau Ivre (), Soleil et Chair (Sun and Flesh) and Saison dEnfer (Season in Hell). He published his first poem at the age of 16, but stopped writing altogether by the age of 21. Rimbauds writings contain references to the bohemian lifestyle he led when he lived in Paris, including his scandalous affair with the married poet Paul Verlaine. After several years of on-again, off-again, their relationship ended with Verlaine in jail for shooting Rimbaud in the wrist. It seems Rimbaud earned the nickname lenfant terrible which was bestowed on him by Paris society. Despite the turmoil and drama of his personal life, Rimbaud continued to write insightful, visionary poems that belied his young age during his time in Paris. After he abruptly ended his career as a poet, for reasons which are still unclear, Rimbaud traveled the world, traveling to England,  Germany and Italy, then enlisted in and deserted the Dutch army. His travels took him to Vienna, then to Egypt and Cyprus, Ethiopia and Yemen, becoming one of the first Europeans to visit that country. Verlaine edited and published Rimbauds Poesies completes after Rimbauds death from cancer. Although he only wrote for a brief period, Rimbaud has been a significant influence on French modern literature and art, as he strove through his writing to create an entirely new kind of creative language. Here are a few quotes from the translated work of Arthur Rimbaud: And again: No more gods! No more gods! Man is King, Man is God! - But the great Faith is Love! - Soleil et Chair (1870) But, truly, I have wept too much! The Dawns are heartbreaking. Every moon is atrocious and every sun bitter. - Le Bateau Ivre (1871) I am the slave of my baptism. Parents, you have caused my misfortune, and you have caused your own. - Saison dEnfer, Nuit de lEnfer (1874) Idle youth, enslaved to everything; by being too sensitive I have wasted my life. - Song of the Highest Tower (1872) Life is the farce which everyone has to perform. - Saison en Enfer, Mauvais Sang One evening I sat Beauty on my knees - And I found her bitter - And I reviled her. - Saison en Enfer, prologue. Only divine love bestows the keys of knowledge. - Une Saison en Enfer, Mauvais Sang The Sun, the hearth of affection and life, pours burning love on the delighted earth. - Soleil et Chair What a life! True life is elsewhere. We are not in the world. - Une Saison en Enfer: Nuit de L’Enfer